This Platform Pack is comprised of RED's Dovetail Quick Release Platform, two 19mm Studio Rod Clamps, and a dovetail. Any RED camera with a DSMC mounting plate affixed to the bottom can be securely slotted into the quick-release platform. The 19mm studio rod clamps are placed at the correct optical axis distance, ensuring compatibility with professional accessories such as matte boxes, lens supports, and lens drive motors. See below for more information on the individual items included in this kit.

DSMC Universal Mount (19mm)
Add 19mm studio-spaced rods to your Quick Release Platform with the RED DIGITAL CINEMA DSMC Universal Mount. Two captive 1/4"-20 screws secure the mount to the Quick Release Platform. Two spring-loaded levers let you secure 19mm rods for mounting accessories such as lens supports, matte boxes, and follow focuses that conform to the 19mm studio rod standard. Four 1/4"-20 threaded holes on the top allow for accessories to be added to the Universal Mount. This mount is compatible with the DSMC and DSMC2 systems as well as the RED ONE.

DOVETAIL MOUNTING PLATE (LONG)
The RED DIGITAL CINEMA DOVETAIL MOUNTING PLATE is an ARRI standard dovetail that can be secured to a tripod or other grip gear to create a sliding balance platform for larger lenses and heavier rigs. DSMC cameras can use the QUICK RELEASE PLATFORM (DOVETAIL) to slide right onto the dovetail. The dovetail itself is routed out to keep the weight down while 1/4"-20 and 3/8"-16 threaded holes run the length for versatile mounting options.

المزيد من المعلومات

SPECS:

SENSOR TYPE	HELIUM 35.4 Megapixel CMOS
EFFECTIVE PIXELS	8192 × 4320
SENSOR SIZE	29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
DYNAMIC RANGE	16.5+ stops
MAX DATA RATES	Up to 275 MB/s using RED MINI-MAG (480GB & 960GB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
MAX FRAME RATES1	30 fps at 8K Full Format (8192 × 4320), 30 fps at 8K 2.4:1 (8192 × 3456) 30 fps at 7K Full Format (7168 × 3780), 40 fps at 7K 2.4:1 (7168 × 3024) 75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592) 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
PLAYBACK FRAME RATES (PROJECT TIMEBASE)	23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11	6:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps 7:1 REDCODE for 8K Full Format (8192 × 4320) at 30 fps 2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps 4:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS2	8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES	ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS3	DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTION	Magnesium and Aluminum Alloy
WEIGHT	3.35 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE	0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE	–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY	0% to 85% non-condensing
COLOR MANAGEMENT	Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing
AUDIO	Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL	Integrated R.C.P. WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS	3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS	DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, REDTouch 5.0" LCD, RED PRO 7" LCD, BOMB EVF(OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO DELIVERY FORMATS	4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE COMPATIBILITY4	Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

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RED DIGITAL CINEMA DSMC Quick Release Platform Pack

RED DIGITAL CINEMA DSMC Quick Release Platform Pack

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