- Sirui 35mm & 100mm T2.9 1.6x Anamorphic Lens -
35mm-Wide FOV for Shooting Wide Angle & 100mm-Shallow DOF for Shooting Telephoto
The 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.
The 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.
Complete Focal Lengths
Four commonly used focal lengths are included in the versatile lens set for shooting complete projects from different angles of view.
Full-Frame! High Squeeze!
The FF anamorphic lineup sees 1.6x more on the horizontal with prominent anamorphic characteristics, especially suitable for high-end productions.
Two Aspect Ratios
• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio.
• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1.
As the 1.6x squeeze becomes increasingly popular, most monitors and cameras currently on the market have a 1.6x de-squeeze capability.
Cinematic Look
Hit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.
Uniform Barrel Construction
• T2.9 to T16 Aperture Range
• Identical Gear Position
• 82mm Filter Thread
• 1/4" Threaded Hole
• Metric & Imperial Scales
Compact Design
The lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.
- Sirui 50mm T2.9 1.6x Anamorphic Lens -
Immersive Experience - 2.8:1 CinemaScope Aspect Ratio
SIRUI 50mm T2.9 1.6x Full-Frame Anamorphic Lens
Full Frame
1.6x Squeeze Factor, 2.8:1 Wide-Screen Aspect Ratio
Sirui Goes Full Frame
In the past few years, SIRUI 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, Sirui again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.
Wider than Wider
This lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.
Frame as You Like
Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.
What You Get is What You See
As the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the super organic background blur, which help render your storytelling much more nuanced and engaging.
Beautiful Oval Bokeh
This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.
Vibrant Lens Flares
Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.
A Max Aperture of T2.9
When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.
Cine Lens Housing
This lens looks super sleek as the whole barrel is built up of aluminum alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. With a 1/4 screw hole at the bottom, the lens can be mounted directly or the quick release plate to maintain the balance of the whole setup.
Match Perfectly with Full Frame Cameras
This model comes in native mount for E mount camera systems, compatible with such full-frame cameras as Panasonic SIH, ED KOMODO, RED V-RAPTOR ST, Canon R5, C300, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full-frame anamorphic lenses, this lens is going to make anamorphic accessible to more people for more situations.
- Sirui 75mm T2.9 1.6x Anamorphic Lens -
One with the most noticeable anamorphic look among SIRUI lenses. Narrow FOV, shallow DOP, distortion-free images. Versatile focal length for both long shots and close ups. Filmmaking has never been easier with this lens.
An All-Round Player
This lens, with a 1.6x squeeze factor, behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, suitable for capturing close ups and distant subjects. This lens enables the camera to see well to the left and right, leaving filmmakers more space for composition.
High Resolution Wide-Screen Images
Two aspect ratios are here for your choice. When shooting 3:2, this lens offers a 2.4:1 aspect ratio, whereas shooting 16:9 yields a significantly wider 2.8:1 aspect ratio. You'll have no problem getting super crisp wide-screen shots on this lens, with the subject being exceptionally sharp yet the background soft and natural.
Subtle Lens Flares
Point the lens at a light source to get a horizontal blue lens flare that the anamorphic lens is famous for. The subtle and natural blue streaks stand out for adding a Sci-Fi ambience to your shots without being too aggressive.
Creamy Oval Bokeh
Due to the 1.6x squeeze factor, light spots in the distance are vertically stretched into pleasing oval bokeh, providing a more dreamy and abstract background over regular lenses. Soft and creamy background blur further separates the subject, delivering a flattering cinematic look to your shots.
Sense of Compression
Distance is not a thing to worry about. When shooting with this lens, things in the distance seem to be zoomed in to form a close connection with the subject, offering a unique sense of compression.
Consistent Cine Lens Housing
75mm lens maintains the same solid build quality as its 50mm brother. It features a fully metal body, an 82mm filter thread and a 1/4''-20 threaded hole. Focus and aperture rings are geared with the same position as the 50mm for easy lens switching.
1+1>2
Want to have your ideas precisely conveyed to the audience? Want to have the subject and background presented more subtly? Then 50mm T2.9 plus 75mm T2.9 would be a great combination you don't wanna miss.
4 Native Mounts
Given the rise in popularity of full-frame mirrorless cameras, this lens offers four native mounts, including RF, L, E, and Z mounts, compatible with most full frame mirrorless and cinema cameras on the market
- 1.25x Anamorphic Adapter -
The SIRUI 1.25x anamorphic adapter is designed to turn any spherical lens into an anamorphic or increase the squeeze ratio of anamorphic lenses. This is a super budget-friendly anamorphic solution that will bring you tons of fun!
Why is the 1.25x?
The 1.25x is one of the most classic squeeze factors used by popular anamorphic lenses like Panavision. In addition to creating a 25% increase in the horizontal field of view, the 1.25x squeeze has two other advantages.
2x Constant Squeeze
Screw the SIRUI 1.25x adapter onto the 1.6x anamorphic to achieve a 2x squeeze. With a higher squeeze comes more noticeable anamorphic characteristics, for example, the thinner bokeh and shallower depth of field. The 2x squeeze allows more information to be included into the frame, giving you more flexibility to reframe in post.
Approx. 16:9 Common Aspect Ratio
Most professional digital cameras, such as ARRI, use 4:3 sensors. When a 1.25x anamorphic adapter is used on these cameras, the image can be directly desqueezed to an approx. 16:9 aspect ratio, which is a universal format for modern commercials, TVCs, etc. Using the 1.25x adapter on spherical lenses and shooting 16:9 will result in a 20:9 aspect ratio, which allows you to play videos in full screen on smartphones
Wide Compatibility
The 1.25x adapter has an 82mm rear thread. Three step-down rings (67/72/77mm) and a step-up ring (92mm) are available to match a wide array of popular lenses on the market.
Compact & Portable
With a length of only 46.5mm and a weight of 650g, the adapter is relatively small and lightweight.
Front Single Focus
Set the base lens at infinity and use only the adapter to focus.
Constant Squeeze Ratio
The adapter maintains a constant 1.25x squeeze ratio at all focusing points, eliminating the "anamorphic m
